After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father’s legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.

There are two sides to every story. Grieving the loss of the family shop with their dreams destroyed, Denise and daughter-in-law Carly are left to pick up the pieces of their relatives’ mistakes.

In 2008, as the Large Hadron Collider searches for the Higgs boson, tragedy throws two sisters together. The collision threatens them all with chaos. Olivia Colman and Olivia Williams play the sisters in this drama from writer Lucy Kirkwood.

Bullet doesn’t want to call a hostel home. Eritrean Girl was smuggled here in a lorry. Singing Boy dreams of seeing his name in lights and Garden Boy just wants to feel safe. Homelessness amongst young people in the UK is at a record high, so when the big society doesn’t work – where do you go? An inner-city high-rise hostel, TargetEast, offers a roof. Nadia Fall’s verbatim play features performances from Michaela Coel, Antonia Thomas and Kadiff Kirwan.

When her mother Helen runs off with a car salesman, feisty teenager Jo takes up with Jimmie, a sailor who promises to marry her, before he heads for the seas. Art student Geof moves in and assumes the role of a surrogate parent until, misguidedly, he sends for Helen and their unconventional setup unravels.

‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

"Me jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut." 2020. Delroy is arrested on his way to the hospital. Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed. Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship with White Britain.

They are some of the biggest pyramids on the planet, millions of tons of stone and earth towering above the landscape in a display of massive wealth and power. But it wasn't the pharaohs that built these pyramids. This is the majestic ancient city of Teotihuacán, Mexico, home to one of the most powerful civilizations of its time. But why, around 750 AD, did the advanced civilization that created Teotihuacán suddenly vanish? The identities of its founders, the language they spoke and even the original name of the city are all unknown. DNA analysis of bodies from Teotihuacán shows they weren't Mayan, Incan or Aztec, but an entirely different civilization. It was assumed to have been a peaceful, utopian society, but the latest discoveries are revealing a much darker scenario. In the depths of Teotihuacán's pyramids, experts have uncovered vault after vault filled with curious human remains.

Britain is locked down. Michael and Delroy are dealing with issues closer to home. During an explosive afternoon in Delroy's flat, they are forced to confront their relationship with their country – and with each other.